Me, a performer?
“How relevant is documentary cinema when we’ve all become nonfiction performance artists?” That is the key note for this year’s seminar at The European Film College for the Danish documentary “business” in August. Alas, I might not be able to attend (for the first time in more than 16 years) but the question is never the less relevant. Personally, I work more and more with blurred lines (probably due to my somewhat blurred vision of life), and I have found in myself a sort of fatigue when it comes to well-meaning and therefore often didactic documentaries. Even in films by directors who would rather have a root canal fixed than being accused of being didactic. It may have something to do with changes and challenges in our society and the way we conduct ourselves in especially online debates: We seem to simply be afraid of being in doubt. We NEED to have a fixed opinion and the result is, that before you know it you will be called anything from a nazi to a naïve or even fif